The Art of the Title interviewt de maker van de openingstitels van 'The Pacific':
ATS: Did the time it took to complete this work -the process of unearthing the process- result in the best sequence? SF: I think it gradually got better, but the key components were always there: The portraits, macro photography of charcoal hitting paper, and footage from the series. The bulk of the time was actually spent editing. What was the best moment to draw?, going through all the dailies etc. I did so many drawings (there are more that didn’t make it in than did) I got better over the year. I had to make sure they didn’t get too fussy or detailed. They needed to look a bit unfinished.